Evelyn Beatrice Longman
Evelyn Beatrice Longman


Evelyn Beatrice Longman

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Evelyn Beatrice Longman (1874-1954) was the first woman sculptor to be elected a full member of the National Academy of Design in 1919. Her allegorical figure works were commissioned as monuments and memorials, adornment for public buildings, and attractions at art expositions in early 20th-century America.

Born Mary Evelyn Beatrice Longman in a log cabin on a farm near Winchester, Ohio in 1874; she died on Cape Cod at the age of 80 in March 1954. She was one of six children.

Longman resolved to become a sculptor after visiting the 1893 World’s Columbian Exposition. Longman studied with Lorado Taft at the Art Institute of Chicago, and later moved to New York, where she studied with Hermon Atkins MacNeil and Daniel Chester French.

Her large-scale sculpture a male “Victory” — for which she was awarded a silver medal — first came to the attention of the public in the 1904 St. Louis Exposition. A 1903 replica of  “Victory,” along with four other artworks by Longman, now reside in New York’s Metropolitan Museum of Art.

Her 1909 bronze doors for the Chapel of the Naval Academy at Annapolis, Maryland, were a result of a 1906 competition of 33 sculptors.

Evelyn Longman stands before a section of the Great Bronze Memorial (1909) chapel doors. The doors were commissioned for the United States Naval Academy in Annapolis, MD.

In 1915, AT&T commissioned Longman’s colossal Genius of Electricity to crown the corporate headquarters of the Telephone and Telegraph Building, New York City, preceded the commission in Des Moines.


She also created decorative sculpture works for the Lincoln Memorial (Washington,D.C.).

A 68-foot-tall sculpted column stands proudly in the heart of the neighborhood at Logan Square since 1918. Longman was responsible for the carved figures along the base, as well as for the eagle perched atop the column. Longman went on to become the first woman to make a career of creating large-scale public sculptures  — no small feat in the early 1900s.

Pictured on the right, Evelyn Beatrice Longman at work sculpting the Illinois Centennial Memorial Monument in the center of Logan Square, 1918. [Art Institute of Chicago]
A proteégé of Daniel Chester Smith, Longman worked as his studio assistant in Stockbridge, Massachusetts. Longman also worked closely with her mentor, who sought her advice on his own designs. She worked on some of French’s major projects, including the Lincoln Memorial, for which she sculpted numerous wreath, eagle and inscription ornaments and is said to have sculpted Lincoln’s hands. Longman’s reputation continued to grow as she received many important commissions and won major competitions. In 1919, she became the first female sculptor to receive full membership in the National Academy of Design.


Evelyn Beatrice Longman seen working on a bust of Thomas Edison for the Naval Research Laboratory in 1947, just five years before she died. It was completed in 1952.

Longman was the only sculptor that Thomas Edison posed for and the first woman sculptor to be elected a full member of the National Academy of Design. She received many prizes and awards, including the prestigious Watrous Gold Medal for best sculpture.

Evelyn Beatrice Longman's Public Art in Greater Des Moines

  Evelyn Beatrice Longman

 1916  |  Long-Term Collection
  State Capitol Grounds